10 Most Over-the-Top B-Movies, Ranked (2024)

Subtlety is nice and all, but cinema would get boring if every single movie was nuanced, thought-provoking, and restrained. It’s best to have films go in the opposite direction every now and then in the interest of keeping things fresh. After all, contrasts are good, and it would be harder to appreciate those more low-key movies if there weren’t over-the-top ones to stand out against.

Plenty of filmmakers who are happy to keep cinema wild and untethered operate in low-budget or B-movie spheres, at least in part due to there being less of a financial risk involved with funding something potentially alienating, or too wild for most. The movies below – some genuine B-movies, and others being B-movies more in spirit – are all easy to recommend for those who want to see something over-the-top, not to mention stuffed with ridiculous violence and oftentimes goofy comedy.

10 'Miami Connection' (1987)

Directors: Y.K. Kim, Richard Park Wu-sang

Somehow, Miami Connection works and ends up being a blast to watch, even if it technically fails across the board when judged for its technical qualities. It takes place in a heightened version of Florida (an already heightened state, some would argue), and principally depicts the conflict between a rock band filled with martial artists and a gang of ninjas/drug dealers who ride around on motorcycles.

Miami Connection tries to have an anti-violence message while also gleefully depicting over-the-top and hilarious violence, and sometimes feels like something of a musical, owing to how many songs are featured and performed throughout. It might not be good necessarily, but it is one of the most legendary B-movies of the 1980s, and anyone who enjoys somewhat trashy cinema but hasn’t seen it yet ought to make checking it out a priority.

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9 'Hobo with a Shotgun' (2011)

Director: Jason Eisener

Hobo with a Shotgun tells you everything you need to know about what the movie is from the title alone. If it sounds like a joke of a movie, that’s because it kind of was, at least at first. Jason Eisener directed a fake trailer for a movie that didn’t initially exist, with this trailer for “Hobo with a Shotgun” being featured in the Robert Rodriguez/Quentin Tarantino project Grindhouse (alongside other fake trailers that eventually became real movies, like Machete and Thanksgiving).

Come 2011, though, this trailer was expanded into a movie, and a surprisingly fun – and gnarly – one that just about sustains its ridiculous premise for a feature-length runtime. Rutger Hauer’s genuinely great as the title character: a homeless man who becomes tired of all the crime and degeneracy he sees around him, and decides to become a vicious antihero/vigilante. Bloodshed, obscene violence, and general mayhem ensue.

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8 'Death Race 2000' (1975)

Director: Paul Bartel

Just going by the number of credits he had, and the numerous decades he was active for, there might not have been another individual in film history who contributed to or produced as many B-movies as Roger Corman. Sure, not all of them were great, but there were a handful of surprisingly great ones, including Death Race 2000, with Corman being an executive producer and Paul Bartel being the director.

It was a movie that starred David Carradine and a pre-RockySylvester Stallone, with the premise involving a deadly cross-country car race that incentivizes participants to run down pedestrians and violently take out fellow competitors. It’s a wild and darkly comedic ride of a film, and genuinely a good deal better than you might expect a B-movie called “Death Race 2000” to be.

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7 'The Return of the 5 Deadly Venoms' (1978)

Director: Chang Cheh

There were so many martial arts movies made by Shaw Brothers Studio during the late 1960s and through to the early 1980s that it takes a certain kind of one to properly stand out. The Return of the 5 Deadly Venoms succeeds here, though, given it’s particularly blood-drenched and rather macabre when it comes to its central premise and the level of almost obscene violence throughout.

The main characters, before coming together, are shown being injured and horrifically maimed in different ways by The Return of the 5 Deadly Venoms’ antagonist. They then band together and, using teamwork, their various handicaps (being blind, deaf, losing certain limbs, etc.) become strengths, and they train to fight back and get revenge. The level of savage violence inflicted upon good guys and bad guys alike makes this feel like more than just a martial arts movie; it also ensures The Return of the 5 Deadly Venoms feels like a borderline exploitation/B-grade flick.

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6 'Planet Terror' (2007)

Director: Robert Rodriguez

Splatter movies don’t get much more splatter-filled than Planet Terror, which was one half of the aforementioned double feature Grindhouse. It is admittedly a little beefier than traditional B-movies when it comes to the budget, but the aesthetics and overall spirit of Planet Terror make it feel decidedly B-grade in all the best ways.

It’s a zombie movie that pushes the genre to its limits. There's excessive and over-the-top violence throughout, with the simple plot following a group of people trying to fight their way out of a town that’s become overrun by hyper-aggressive infected beings. Almost nothing is taken seriously, but it still satisfies in the way B-grade horror/action movies tend to. It’s not quite a full-on parody of such films from old, but it comes close at times, ending up as a homage with a good deal of self-awareness attached for good measure.

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5 'Tetsuo: The Iron Man' (1989)

Director: Shinya Tsukamoto

Tetsuo: The Iron Man is an ugly film, in many ways, but it’s also a visually striking one, and it’s safe to say that pretty much nothing else out there quite looks/feels the way it does. It’s a grimy and low-budget film that combines science fiction and body horror, with the premise involving a man who finds himself progressively becoming less organic and more metallic.

The “Iron Man” part of its title is indeed literal, and the whole thing ends up feeling like some sort of fever-induced nightmare… but in a good way! Wisely, Tetsuo: The Iron Man only runs for 67 minutes, because much longer than that would make it all considerably harder to swallow. It’s a brief but relentless assault on the senses, with disorientating editing, pounding music, and gnarly visuals all combining to make quite the impression.

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4 'Evil Dead II' (1987)

Director: Sam Raimi

An honorable mention should be given here to 1981’s The Evil Dead, which instantly made Sam Raimi a B-movie legend thanks to how effective his debut feature was at delivering scares on a low budget. But he took things up a level considerably for Evil Dead II, which was just as gory and wild as the first movie, but added a whole bunch of ridiculous comedy to the mix which ensured things felt even more over-the-top.

Otherwise, the premise is similar to The Evil Dead (demonic forces terrorizing people in a cabin in the woods), but the execution is so different and less predictable that Evil Dead II ends up doing even more than the original film. In that sense, it is a wilder and weirder film, and given it has horror and comedy in equal measure, the overall feel of it is probably what people associate the most with those original Evil Dead movies.

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3 'Army of Darkness' (1992)

Director: Sam Raimi

The Evil Dead was a pure horror movie, Evil Dead II was a horror-comedy, and then the trilogy concluded – naturally – with a film that was pretty much pure comedy. Said film was Army of Darkness, which picked up right after the very strange ending of Evil Dead II and wholeheartedly committed to it. Ash Williams is no longer battling deadites in the woods. He’s now trapped in England’s Dark Ages. Time travel be like that sometimes.

Ash (Bruce Campbell) seems aware of this change in genre, because the character becomes more ridiculous and comedic, basically talking in one-liners. The whole thing is incredibly silly and also ridiculously good fun, and if it counts as a B-movie (it does have the overall vibe/feeling of one), then it can easily count itself as one of the best B-movies of the entire 1990s.

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2 'From Dusk Till Dawn' (1996)

Director: Robert Rodriguez

Before Grindhouse, Quentin Tarantino and Robert Rodriguez collaborated on From Dusk Till Dawn, with the former writing and co-starring, and the latter directing. It’s a movie that begins feeling like a down-and-dirty – not to mention disturbing – crime-thriller about a pair of brothers taking a family hostage while trying to flee to Mexico, but it ends up being something else entirely.

That halfway plot switch-up is well-known at this point, but on the off-chance that some still don’t know what happens, it’s best to leave things vague. What can be said about From Dusk Till Dawn is that it’s both bloody and a very good time, with a sense of wild creativity and unpredictability throughout. It’s almost a joke of a movie, but it’s an incredibly fun joke that should be experienced by all B-movie fans at least once.

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1 'Dead Alive' (1992)

Director: Peter Jackson

If there was ever any doubt (for whatever reason) that a great zombie movie couldn’t come out of New Zealand, Dead Alive (or Braindead, as it’s sometimes known) would put such concerns to rest. It is, quite simply, about as violent as a zombie movie could conceivably get, with seemingly every scene just being there as an excuse to show something gross or gory… or both.

Dead Alive would be one of the most over-the-top movies of all time if it just stuck to being a B-grade horror flick, but it also contains a great deal of broad – and often hilarious – comedy. It’s probably the bloodiest slapstick movie you'll ever see, and it’s still mind-blowing to think that it all came from the mind of the man who’d later go on to direct the gargantuan The Lord of the Rings trilogy less than 10 years later.

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